2023 Curated Dancing the Music: Philippa Cullen 1950–1975 at McClelland Sculpture Park + Gallery, Frankston (Langwarrin), Victoria (opened May 2023, ran until July 17, 2023). Expanded archival exhibition on Cullen’s innovative dance, choreography, and technological experiments (theremins, pressure-sensitive floors, biofeedback, video). Drew from Jones’s personal archive (performance documentation, scores, notebooks, video footage, correspondence). Included curator talk on Cullen’s radical choreography and tech advances, plus a performance recreation by Dr Iran Sanadzadeh. Contributed to the exhibition catalog/publication.
2020 Curated Cognitive Dissidents: Reasons to be Cheerful at Griffith University Art Museum, Brisbane (curator talk February 22, 2020). Exhibition of over 20 Australian video art works (1970s–2000s) in activist documentary and synthetic forms. Contributed new essay and artist biographies to the publication.
2017 Retrospective exhibition of video works (1975–2008) at Sydney Non Objective (SNO) gallery, Marrickville, Sydney (SNO 123, 13 May–4 June). Featured analog video synthesis, feedback works (Mandala), dance collaborations (White Norse, Purple Dress), music/video integrations with Severed Heads and SPK, and Machine for Making Sense, Silence is….
2013 Guest curator, This is Video exhibition at Artspace, Sydney (as part of ISEA 2013). Revisited early Australian video works including Bush Video collective, Peter Callas, Pam Brown, Warren Burt, David Chesworth, and others.
2005 DVD controller implementation for Mike Parr performance (Artspace, April 2005).
2004 Technical curator, exhibition design, and conservation for Nam June Paik & Charlotte Moorman exhibition (Art Gallery of New South Wales, January 2004). Developed multi-DVD synchronizer for rea’s gins leap_dub speak and controller for Debra Petrovitch’s Anita project (presented at ISEA 2004).
2003 Constructed Memories (large-scale digital photo collages as scrolls) at Stills Gallery, Sydney (May 28–June 28, 2003).
2001 Momiji: An Autumn Dialogue (scrolls documenting time in Japan) with Sandy Edwards at Gallery East, Clovelly, NSW (May 3–13, 2001). The Reading Machine and six ink-jet prints included in Intersections of Art and Science at Ivan Dougherty Gallery, College of Fine Arts, UNSW, Paddington, NSW (June 7–July 14, 2001).
1999 Images from the Brain Project at Gallery East, Clovelly, NSW (February 19–28, 1999). The Reading Machine at Institute of Modern Art (IMA), Brisbane (October 15–30, 1999; National Digital Art Awards finalist). Severed Heads retrospective: 4 short video pieces commissioned for Universal Machine at Powerhouse Museum, Sydney.
1998 The Reading Machine: Towards the Realisation of Charles’ and Ada’s Future (Brain Project installation) at Artspace, Sydney (July 2–25, 1998).
1996 The Brain Project Forums (five days of discussions led by Jones) at Performance Space, Sydney (August 1996).
1994 Feeding Back video installation in Post-Code exhibition, curated by Dennis Wilcox, Performance Space, Sydney.
1988 Chasing Skirt interactive video installation by Severed Heads at Biennale of Sydney (also toured to National Gallery of Victoria, Melbourne). Later shown at Video Positive ’91, Liverpool, UK.
1985 Participated in Scanlight: New Developments in Video Art at Australian Centre for Photography, Sydney. Participated in Video Now at Australian Centre for Contemporary Art, Melbourne.
1982 Permutations/Portraits interactive video synthesizer work at Biennale of Sydney. Future Imagery at Metro TV (live-in-studio recording with Severed Heads showing main video synthesizer).
1981 Showed Eva (1979) and SPK (1978–1979) in Australian Perspecta at Art Gallery of New South Wales.
1979–1981 Co-curated and toured Videotapes from Australia (with Bernice Murphy) to North America (The Kitchen NY, Video Free America SF, LAICA LA, Video Inn Vancouver), AGNSW (Project 30), and Venice Biennale 1980. Travelled with exhibition, installing and speaking at venues.
1978 Curated VideOzone—first major Australian video exhibition using video projection in a cinema (Ozone Cinema, Paddington Town Hall, July).
1977 Produced Open Processes video production and performance installation system at Watters Gallery (February). Participated in Video Spectrum at La Trobe University, Melbourne (September).
